I’ve always been drawn to people, projects and experiences that invite participation rather than passive observation. Much of my work — across culture, communication, education and live events — has involved creating spaces where people feel able to gather, listen, contribute and connect.

Over time I’ve come to value curiosity, conversation and openness to unexpected experiences. Sometimes that has meant surreal or memorable encounters: driving James Brown up The Mall in a golf buggy; discussing musical practice with Herbie Hancock and Terence Blanchard; or sharing a pint with Sir John Sulston and Sir Martin Evans while feeling entirely and happily out of my depth.

At other times, it has involved quieter pursuits: rediscovering my late father’s unfinished novel centred on Camille Pissarro, hosting a radio show dedicated to 78rpm records, writing songs at the piano, or taking long walks in the countryside with my dog Teddy.

I’m interested in the connections that emerge between culture, place, memory, conversation and community, and in the ways shared experiences can shape both individual lives and wider civic identity. I believe most worthwhile projects are collective efforts built gradually over time — through trust, collaboration, generosity and participation.

Above all, I value family life and the opportunity to be present with my wife and daughters amid the noise and movement of everything else. However varied life becomes, that remains the grounding force beneath it all.